At 50th Anniversary Screening of 'Breakfast at Tiffany's', Julie Andrews States Carol Golightly Wasn't Any 'Heavy Hooker'

The question of whether Carol Golightly -- the irresistibly difficult city girl carried out by Katherine Hepburn in 1961's 'Breakfast at Tiffany's' -- will be a mercenary call girl or simply a free of charge spirit who happened to just accept a lot of cash from wealthy males every time she used the powder room has vexed and intrigued audiences for any very long time. According to Mike Wasson's 2010 book 'Fifth Avenue, 5 A.M.,' Paramount's P.R. department twisted itself into breakfast crullers trying to succeed the 2nd view, with strange claims like "The star is Katherine Hepburn, not Tawdry Hepburn." Truman Capote, who written the novella in which the film was based, may have offered the subtlest analysis. "Carol Golightly wasn't precisely a callgirl," Capote mentioned inside an interview with 'Playboy' magazine in 1968. "She'd no job, but supported expense-account males for the best restaurants and evening clubs, while using knowing that her escort was obligated to supply her some type of gift, possibly jewelry or possibly a cheque ... if she felt appreciate it, she typically takes her escort home for your evening." Now Julie Andrews, the legendary actress and widow of 'Breakfast at Tiffany's' director Blake Edwards, has added her voice for the debate. In the conversation with Richard Pena, director in the Film Society of Lincoln subsequently subsequently Center, at Thursday night's 50th-anniversary screening of 'Breakfast at Tiffany's' in NY, Andrews mentioned that it had been Hepburn's idea to recruit designer Hubert p Givenchy to produce all Holly's clothes. "If you have Katherine Hepburn and Hubert p Givenchy," she added, "I don't think anybody for just about any second thought this is huge hooker, for God's sake." The screening happened at Lincoln subsequently subsequently Center's Alice Tully Hall, a few steps in the venue where NY Fashion Week is showed up, as well as the audience of would-be Carol Golightlys as well as the males who love them gazed adoringly within the gorgeous new print, come up with with an anniversary Blu-ray edition that comes to a couple of days. As Pena noted, the film features a timeless quality that helps it be feel nearly as relevant today since it did in 1961. Specifically in NY, where attractive and sparklingly witty youthful people still come searching for their dreams, but nonetheless every once in awhile explore the daily look for booze, bread, and designer threads. The film's opening scene, in which a taxi shores up a obvious Fifth Avenue and deposits Carol before Tiffany's, where she ruminates inside the display home home windows while eating a Danish and consuming a coffee, remains one of the essential depictions in the city, and Andrews known to how lucky Edwards felt to capture the scene. He arranged the goal for beginning, wanting to acquire "a comparatively empty Fifth Avenue," but ultimately "there's not a little of traffic nearby.Inch After one take, Edwards switched for the crew and mentioned, "That's it, fellas. Let's proceed.In . Equally representational in the city, for a number of reasons, might be the party scene, where a motley crew of bohemian rebels and slumming wealthy males get gleefully drunk inside Holly's sparse walk-up apartment. "He cast all his pals and relations," mentioned Andrews. "It's fun to check out the party scene and know who's on the internet for.Inch Photo: Ray Busacca/Getty Images for Vital